A recent article in the newspaper 'Novaya Gazeta' mentioned the fact that the journal 'Seance' is celebrating its twentieth anniversary. An anniversary to celebrate as this is undoubtedly one of the most outstanding journals devoted both the contemporary and to the history of Russian and Soviet cinema. However, the article also notes that the journal is under threat of closure due to financial reasons. Financial reasons that appear inextricably linked to recent trends in Russian cinematography which seem to strangle any independent thought and action in favour of a ahistorical myhtology. Seance's incredible legacy over the past twenty years is associated with two names that represent the best of criticism and scholarship: those of the late Sergei Dobrotvorsky and Liubov Arkus. The Seance team have not merely worked on the journal but have published books on contemporary Russian film and have worked on the very best source of information for contemporary Russian film - the Encyclopedia of Russian Film (a massive seven volumes which is the most vital resource for all Russian film scholars who are working on the period from the fall of the Soviet Union). The internet site http://russiancinema.ru/ gives informtion regarding the whole history of Russian and Soviet film and is one of the best sources of information on the web in its field. The loss of this Petersburg journal would be a tragedy for the whole of Russian cinema just as the loss of Moscow's Museum of Cinema was five years ago.
Another journal in difficulty is the Moscow-based 'Iskkustvo Kino' (Art of Cinema) which has been going for decades. Providing some excellent reviews, scripts, roundtable discussions and articles on general intellectual trends it also has contributed to keeping alive intellectual discussion on cinema. Its director Daniil Dondurei (a media sociologist by training) has been a critical voice with regard to the Mikhalkov project and, unsurpisingly, the journal was soon to have the threat of eviction hanging over it by the Mikhalkov-run administration of the Filmmakers Union.
The most outstanding scholarly journal with regards to Soviet (and world) cinematic history is Kinovedcheskie Zapisky. This journal keeps alive the highest standards of film scholarship and has contributions from the giants of film scholarship in Russia: Naum Kleiman, Evgeny Margolit, Oleg Aronson, Maya Turovskaya, Irina Grashchenkova and many more. For those interested in film scripts there is also an excellent journal 'Kinostsenari' which includes interviews and critical articles. Recent editions of the journal have been devoted to the work and scripts of Paradjanov, Peter Lutsik and Otar Ioseliani. For anyone interested in contemporary cinematography of former soviet states there is the journal 'Kinoforum'.
These journals have kept alive the intellectual reception of both contemporary film in Russia and the former Soviet Union as well as providing a historical link. The existence of such a community of scholars and attentive critics means that all is not lost but the precarious financial and institutional state of many of these journals is, nonetheless, a worrying sign.
My interests include Soviet/Russian (as well as post-Soviet) film, world cinema, Soviet/Russian literature,Argentinian literature,radical thought, history. The works of Juan Rodolfo Wilcock, Dino Campana, Cesar Vallejo, Roberto Arlt and the philosophy of Evald Ilyenkov and the works of many, many others. I have a twitter account @GiulianoVivaldi where smaller news is added and a Facebook page here: http://www.facebook.com/GiuVivRussianFilm For any interested in events surrounding the 40th anniversary of Pasolini's murder and exploring the Italian 1970s, please join the Facebook Group: https://www.facebook.com/groups/Pasolinianni70/